Light, Play and Possibility - in conversation with Frankie Boyle, experiential light artist

Light, Play and Possibility - in conversation with Frankie Boyle, experiential light artist

Light profoundly impacts our neurological and biological systems through its connection to our evolutionary history. Our brains are fundamentally programmed to respond to moving, dynamic light sources - which is why we're instinctively transfixed by a candle flame. Artificial light, by contrast, has only existed for 180 years, which is essentially nothing in evolutionary time. This means static white lights do little to support our relaxation or psychological connectivity. We speak with Frankie Boyle, light artist extraordinaire who fuses physics, psychology, neuroscience and art.

Frankie’s work is beautiful, a manifestation of the fusion of biophilia and creativity. I love the gorgeous fluidity, the colours, the dance of light and dark, for me experiencing her installations even through the screen feels like you are walking into a song.

As Frankie explains, humans have been interacting with light for 4 billion years, primarily through natural sources like sunlight and fire.

From a neurological perspective, light triggers specific responses in our nervous system that are deeply rooted in survival mechanisms. Our brains are programmed to detect movement because it signals potential hunting opportunities or threats. Different colours and light intensities activate different neurological responses - for instance, vibrant blues are energising and motivating, while sunset tones with yellows and oranges signal relaxation and the end of the day. These light interactions influence our brain's energy allocation. If we design lighting intentionally, we can help encourage the neural resources of anyone experiencing the space to focus on specific tasks, ultimately improving their cognitive performance and emotional well-being.

READ ON AND WATCH THE INTERVIEW…..

Wool Revolution - Why every Biophilic Designer needs to know about this..

Wool Revolution - Why every Biophilic Designer needs to know about this..

In a laboratory in Manchester, a quiet revolution is brewing that could dramatically reshape the construction industry's environmental impact. LAMDA, a groundbreaking wool insulation panel, promises to challenge the dominance of petrochemical-based building materials while offering a sustainable, health-conscious alternative.

Vicente Orts Mercadillo from Vector Homes and Ruth Marie Mackrodt of Wool Insulation Wales are pioneering a material that does far more than simply keep buildings warm. Their innovation tackles multiple environmental and health challenges simultaneously.

"Construction is responsible for around 40% of global carbon emissions," explains Ruth, highlighting the urgent need for sustainable alternatives. In the UK alone, 9% of the national carbon footprint comes from manufacturing construction materials. The LAMDA panel's credentials are impressive.

Sustainability meets Design elegance - the LINK Design

Sustainability meets Design elegance - the LINK Design

Biophilic Design has so many aspects to it, it is not just plants, greenery, light, colour ways, it is also about using natural materials in products, using natural materials to enhance a space and provide happiness and comfort to those using it. I spoke to the design team of AAID, Allen Architecture Interior Design, working together they created an hexagonal modular wall system made out of sustainable local and recycled materials which also employ local artisans and labour. Just as we do, each 'LINK” block relies on the one below, and can be adapted as shelves, planters, like little pods. Obviously the hexagon is an important shape in nature, just look inside a Bee Hive.

Arts in Healthcare and Beyond

Arts in Healthcare and Beyond

Should art in hospitals and elsewhere incorporate biophilia? With the arts quite starved of funding generally incorporating visual arts into healthcare and other environments is a challenge. We speak with Victoria Hume, Director of the Culture, Health and Wellbeing Alliance to find out how the Alliance is helping broker arts into healthcare and beyond through a network of regional “champions”, building on grassroots arts programmes and building bridges to network positive creative solutions to those who need it. Her own background as a musician and arts worker is fascinating in itself, as is her work on delirium which includes composing music that address delirium.